Oaxaca: noticias de artistas 1680-1780

The eighteenth century had a special relevance in the city of Oaxaca. The economic bloom due to diverse factors resulted in the appearance of a high social class that was interested in the artistic patronage. On the other hand the high religious hierarchy impelled diverse artistic works as much in the city as in the state giving an enormous palpable activity as a result in the new constructions that were carried out along the century. As consequence of everything had it an affluence of artists that worked in the city and a great visible artistic dynamism in all the manifestations of the art. The present article analyzes the details of the artists that began in Oaxaca, so much from its work and social perspective ace of the novelties that introduced inside the arts

Picasso and the arena: his idea about bullring

Análisis de la visión de la plaza de toros a través de la obra de Picasso en pintura, grabado y cerámica desde sus comienzos hasta los años setenta, su preferencia por la figura elíptica o circular para representarla y la modernidad del proyecto arquitectónico de plaza de toros que firmó junto al torero Luis Miguel Dominguín y el arquitecto Antonio Bonet i Castellana. Comparación de ese novedoso proyecto del año 1964 con los proyectos de edificación y renovación de otras plazas de toros españolas y americanas.Analysis of the vision of the bullring through the work of Picasso in painting, engraving and ceramic from the beginning to the seventies, his preference for the elliptical or circular figure to represent it and the modernity of the architectural project of bullring that signed with the bullfighter Luis Miguel Dominguín and the architec Antonio Bonet i Castellana. Comparison of that new project of 1964 with the projects and renovations of other Spanish and American bullrings